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From: mr_dark |
Date: January 31st, 2007 11:33 pm (UTC) |
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My favorite two points:
Pat Mcann's completely clean version. A perfect example of what humor can be in the mind of a truly funny comedian. Managing to remove all of the obscenity that virtually every other comedian saw as the point of the joke, he mutates it a little and manages to perform a rendition that's one of the funniest in the film. Martin Mull gets a runner-up nod for his completely different Aristocrats joke. His joke was, in my mind, funnier than The Aristocrats, but most importantly he just patently refused to perform the joke demanded of him as part of his participation in the film. His insistence to follow the beat of his own drum just really impressed me.
The second moment has to be Gilbert Gottfried at the Hefner roast. Gottfried is a genius, a complete genius, but like so many geniuses before him, he is misunderstood and highly irritating to most. So soon after 9/11, he steps up there and -knows- the crowd is on edge, -knows- everyone will be tip-toeing around the subject. He jumps right in and gets called down by the crowd. Okay, fine...you can see his resolve form. He's pissed. People come to a comedy event and have the nerve when the comedian dares to cross their sacred cow du jour?
What follows is comedy as assault. He just pretty much says 'fuck it' and lays into the crowd, unleashing this fabled comedic equivalent of tactical nuclear weapons. The result is what I love the best: as one of the interviewees said, it was -exactly- what was needed. New York needed to laugh, they needed to blow off that tension. Gottfried's genius is that he refused to step down when they were reluctant to take their medicine and just keep pushing.
Can you tell I like the movie? :)
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